At Page-Turner, Willing Davidson interviews Karen Russell, the newly minted MacArthur Genius, Swamplandia! author and 20 Under 40 alum. The conclusion this writer came to after reading their back-and-forth? The phrases “luck lightning” and “King Doomsday” need to be used more often. (FYI, we published our own interview with Russell back in February.)
James Gleick talks to one of the software engineers behind autocorrect, that “impish god” responsible for turning our ids to I’ds and moviestars to Natalie Portmanteaus. In response, Jen Doll wonders whether we love to hate autocorrect “because when it messes up we’re happily reminded that phones and computers are not actually smarter than people.”
“Up until very recently, I’d recount my online experiences with some degree of shame or sheepishness, but in this apocalyptic year of 2012, that embarrassment is beginning to fall by the wayside. I’ve been having more and more conversations with people grappling with what is gained and lost by how some of our most meaningful musical discoveries– not to mention life experiences– have happened in front of, or facilitated by, screens.” Over at Pitchfork, a new column dedicated to the intersections between digital and ordinary life – and the art these interactions can produce.
In 1958, the Indian writer Yashpal published the first installment of This Is Not that Dawn, an eleven-hundred-page novel and feminist epic written in Hindi. The book presages many of the biggest controversies affecting India today. At Page-Turner, Karan Mahajan reads the novel, explaining why he believes it to be “the greatest long novel about India.” Related: Mythilo G. Rao pays a visit to the Jaipur Literature Festival.