Recommended Viewing: John Lusk Hathaway’s “One Foot in Eden or The Battle of Sol Legare” photography series, which features images of “the rich history and modern struggles” of the small Gullah community outside of Charleston, South Carolina.
“Writing gives me great feelings of pleasure. There’s a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It’s like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way. It’s very physical. I get antsy. I jiggle my feet a lot, get up a lot, tap my fingers on the keyboard, check my e-mail. Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it’s working and the rhythm’s there, it does feel like magic to me.” Susan Orlean on why she writes.
This week, Granta redesigned its website, which now boasts a spiffy black-and-white aesthetic. If you’re looking for an excuse to check it out, you could do worse than reading Year in Reading alum Hari Kunzru’s “Drone,” a story which appears in their India issue. (They’re also highlighting great pieces from their archives, among them the story “Night” by Alice Munro.)
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.