Belle and Sebastian’s Stevie Jackson, better known (at least to this writer) as the Sultan of Twee, sits down with Rick Moody as part of the Swinging Modern Sounds feature over at The Rumpus. Among other things, Jackson says that he thinks the John Lennon album Sometime in New York City is a “total masterpiece” and says that at one point in his life he could recite the book Trainspotting.
“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
In spite of the title of her blog post, Lily Meyer doesn’t think Ann Patchett is really an enemy of Zadie Smith. Instead, she thinks the two authors play opposing roles in her life, thanks largely to the different effects their books have on her perceptions. At the Ploughshares blog, she contrasts their novels, using excerpts from White Teeth and Bel Canto. Related: Kevin Charles Redmon’s review of Patchett’s novel State of Wonder.
Modern day celebrities aren’t the only victims of Photoshop. Paula Byrne, a Jane Austen biographer, believes that Austen has been “airbrushed” on her £10 Bank of England note. The portrait makes her look like “a pretty doll with big doe eyes” and diminishes her reputation as an author, Byrne argues.
Having kids changes everything, of course, but for the writer, used to working in quiet solitude, it can feel like the end. Jessica Francis Kane writes about how she learned to write again, in a new way, after having children and offers some tips for new parents who write.