Belle and Sebastian’s Stevie Jackson, better known (at least to this writer) as the Sultan of Twee, sits down with Rick Moody as part of the Swinging Modern Sounds feature over at The Rumpus. Among other things, Jackson says that he thinks the John Lennon album Sometime in New York City is a “total masterpiece” and says that at one point in his life he could recite the book Trainspotting.
Here’s a book that’s sure to be included in our second-half installment of our Most Anticipated books: Zadie Smith’s NW, which traces the lives of several people who make it out of one of Northwest London’s housing estates. The promotional copy calls it a “delicate, devastating novel of encounters.”
In his speech at the Democratic National Convention, Barack Obama explained his weariness of campaign advertisements when he said, “If you’re sick of hearing me ‘approve this message,’ believe me, so am I.” These days, those ads are everywhere; it’s totally normal to feel overwhelmed. So as a refresher, consider a journey through elections past via The Living Room Candidate, an online archive of presidential campaign commercials from 1952-2008.
This year marks the second anniversary of Asymptote, an international journal focusing on literature in translation. The staff is commemorating the occasion by hosting a series of events in eight different locales around the globe: Beijing, Barcelona, Berlin, Islamabad, Chicago, Taipei, Singapore and New York City. Folks attending The Big Apple’s event on January 20th will get to see Millions contributor Reif Larsen live in action alongside Cole Swensen, Paul Legault, Adam Sorkin, and Ariana Reines.
I know, I know – another piece about “the canon.” This one, however, is sure to elicit a response one way or another. A sampling: “There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …”