Belle and Sebastian’s Stevie Jackson, better known (at least to this writer) as the Sultan of Twee, sits down with Rick Moody as part of the Swinging Modern Sounds feature over at The Rumpus. Among other things, Jackson says that he thinks the John Lennon album Sometime in New York City is a “total masterpiece” and says that at one point in his life he could recite the book Trainspotting.
"If culture is purely entertainment, nothing is of importance. If it's a matter of amusement, an impostor can undoubtedly amuse me more than a profoundly authentic person. But if culture signifies more than this, then it's worrying." Sociologist Gilles Lipovetsky interviews the Nobel Prize-winning novelist Mario Vargas Llosa about the contemporary collapse between "high" and "low" cultures.
"War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say ... War can be a subject, like any other, and it can be written about well, and it can be written about poorly." Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children's book by Mark Twain. See also: our consideration of Twain's self-deprecating travelogue The Innocents Abroad.