We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
Jonas Take Me Somewhere We Can Be Alone
The Case of Portnoy v. Feldman
At the Jewish Daily Forward, Neal Pollack — he of The Neal Pollack Anthology of American Literature — takes on the retirement of his “contemporary,” Philip Roth.
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Dubliners 100
The 100th anniversary of the publication of James Joyce’s Dubliners occurs this month, and the occasion is being celebrated with the launch of Dubliners 100, a “reimagining and rewriting of the 15 original stories by a range of well-established and promising writers.” Among the modern writers lending their talents to the homage is Paul Murray (Skippy Dies), Donal Ryan (The Spinning Heart), and Pat McCabe (Butcher Boy).
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Thoughts on a Prodigy
“The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were ‘neatly and modestly dressed,’ it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
YiR, BOMB Edition
“It’s not often that I find myself brandishing my copy and yelling, ‘This book.This book! at my husband, but I had that pleasant, awed, envy-inducing reaction.” We obviously love a good end-of-year reading roundup, and BOMB Magazine has “Looking Back on 2016” with entries from Jonathan Lethem, Will Chancellor, and other artists, writers, musicians, and filmmakers.
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Text Turns to Artwork
Tom McCormack is midway through a three-part series on internet artwork, but not the kind involving Photoshop and GIFs. After exploring the history and usage of emoticons in part one of his series, McCormack traces the roots of ASCII artwork back to Guillaume Apollinaire’s 1918 book Calligrammes. Stay tuned for the conclusion soon: a look at the history of emoji.
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