We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
Jonas Take Me Somewhere We Can Be Alone
The New York Times Broadens Book Coverage
The New York Times is broadening its book coverage by adding more staffers and launching three new features: a literary advice column, a weekly Q&A about writing processes, and a column looking at “contemporary issues through the lens of recent and historical books.”
“I wanted to write about the feeling of life. Not life as an intellectual process, or a concept, but as a feeling.”
Tom Murphy, arguably Ireland's greatest living playwright, joins The Paris Review for an interview about his life, his influences, and his rage.
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Fences
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
Tuesday New Release Day: Dante, Wilson, Riley, Waite
New this week: Clive James's translation of Dante's The Divine Comedy, Edward O. Wilson's Letters to a Young Scientist, Amity & Sorrow by Peggy Riley, and The Carrion Birds by Urban Waite.
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I Will Not Write Unless
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