What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren’t just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.
Most of the time, when somebody insults a writer on Twitter, the insult disappears into the cyberspace ether. However, as with any rule, there are always exceptions, and one is when you trash Joyce Carol Oates and then thank her for inventing a breakfast food.
Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way “the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us.” Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against “relatability,” but it’s something to consider the next time you pick up a novel and find a character who seems to be just like you.
Over at The Margins, Franny Choi, Ali Eteraz, and others respond to Calvin Trillin’s New Yorker poem, “Have They Run Out of Provinces Yet?” As they put it, “Trillin is part of the ‘we’ in his poem but it’s clear that Chinese and Chinese American people are not. Instead, invoking Yellow Peril fears, Trillin speaks of the threat food from ‘more provinces’ while ignoring that those provinces are home to people, too.”