How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
“There’s no doubt that Life A User’s Manual takes an approach to depicting reality that is very different from the standard realist novel, which we have been conditioned to believe is the best and most-preferred way of representing our world…Though not without its enlightening aspects, this conversation has generally fallen into a simplistic dichotomy, where realist writing is described as giving us the real world of everyday life, and anything other than realist writing is seen as directing its energies toward a vague something that no one cares to define very well.” A look at Oulipo and its legacy from Lauren Elkin and Scott Esposito, who recently wrote an Oulipo-themed Year in Reading for us.
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”