“Every year, as Halloween draws near, I get to thinking about what makes books scary,” writes Ben Dooley in his introduction to Mark Z. Danielewski’s House of Leaves. It’s a book that “’gets’ existential horror,” Dooley claims. Intrigued? Well be sure to check out not only his review of the book, but also our interview with its author.
Halloween Reading: Existential Horror Edition
New York: It Isn’t All That
Roxane Gay rounded up some of her favorite writers from “Outside of New York City.” (And she’s not talking about Brooklyn.)
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Fitzgerald Uncensored
F. Scott Fitzgerald was too provocative even for the 1920s. His short story collection Taps at Reveille was never published the way he wanted it to be. When the stories came out in The Sunday Evening Post in the 1920s and ’30s, all slang, slurs, and sexual innuendo were edited out. Now, almost a century later, we can read Fitzgerald’s original work in a new Cambridge edition.
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Meet the Millions.
If you’re in NYC this coming Sunday, come out to KGB Bar and meet some Millionaires Millions staffers. Emily St. John Mandel, Michael Bourne, Garth Risk Halberg, and Sonya Chung will all be reading. Our editor in chief, C. Max Magee, and other friends and staffers will be there too, so if you’re able why not come out and put faces to names, say hi, have a drink, and help us make a little merriment.
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Tuesday New Release Day: Eggers; Domini; Straight; Davis
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison’s Sula.)
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The Smoking Gun
“As a literary symbol portraying man’s tragic nature, is any more compelling than a gun? A gun lets fear become death, quiet desperation become brutality whose fallout others are forced to deal with.” Over at The Literary Hub, a list of 10 novels that follow Chekhov‘s famous dictum, literally. Might we also suggest our own Emily St. John Mandel‘s The Singer’s Gun?
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