The literary archives of Gwendolyn Brooks – the first African-American to win a Pulitzer Prize – are headed to the University of Illinois Rare Book and Manuscript Library. The haul amounts to more than “150 boxes stuffed with manuscripts, drafts, revisions, correspondence, scrapbooks, clippings, homemade chapbooks in which Brooks neatly handwrote her earliest (unpublished) poems, and heavy bronze awards ensconced in velvet-lined boxes collected later in her career.”
Meet Philip M. Parker, a marketing professor at INSEAD Business School and the man whose name graces the covers of over 100,000 books. Is he the most prolific author of the modern age? Well, kind of. Thanks to “a computer system that can write books about specific subjects in about 20 minutes,” Parker and his company have combined to create over 800,000 titles currently listed on Amazon – including such works as The Official Patient’s Sourcebook on Spinal Stenosis and Webster’s Icelandic – English Thesaurus Dictionary.
“I’m drawn to books that deal in fragments and digressions, authors that patch together something larger from these pieces while also letting them stand on their own.” Sam Stephenson writes about “reimagining what a biography can look like” and reading Tennessee Williams: Notebooks, edited by Margaret Bradham Thornton, in a piece for The Paris Review. He also mentions Tennessee Williams: Mad Pilgrimage of the Flesh, which Tyler Gillespie recently reviewed for The Millions.
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.