We’re nearing the halfway point in football season (have you done your reading?), so that means it’s time to revisit one of the finest poems ever written about the game: James Wright’s “Autumn Begins in Martins Ferry, Ohio.”
“Gallop[ing] terribly”
Soda Series
Tonight at 7pm in Prospect Heights’ Soda Bar: the 10th installment of the Soda Series. Short readings followed by conversation from Roberta Allen, Robin Grearson, John Haskell, and Kirsten Kaschock. The conversations will be moderated by John Dermot Woods and Greg Gerke. The Series also has a Facebook page.
People of the Opposite Sex, Am I Right?
The Atlantic has launched a new section — The Sexes — that deals with issues of gender.
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Ask a Grown Woman
High school girls “Ask a Grown Woman” what it’s like to date someone of the same gender. The answer is surprisingly honest.
New McSweeney’s with Franzen, Meno, Oates, and Lepucki
Now available for order at McSweeney’s and Amazon, McSweeney’s Issue 37, featuring Jonathan Franzen, Joe Meno, Joyce Carol Oates, and most importantly, new fiction from The Millions’ very own Edan Lepucki!
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Didion’s Perfect Synthesis
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
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For Sale: Toni Morrison’s Apartment and Personal Library
The Nobel Prize-winning author edited as she read and alphabetized her 1,200-plus book collection by last name.
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“Deceptively spare”
“The art style also changes from chapter to chapter — some panels fill the pages to the edges and are overwhelming in their dark palette; some seem ordinary in proportion, confident; others fill the space around small figures with words, words, words; and others still have a minimalist, sketch-like quality and barely occupy the page at all — and they aren’t always chapters, or even stories, in the traditional sense.” On MariNaomi’s Dragon’s Breath and Other Stories.
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