Perhaps inspired by the news, first reported a few years ago, that mad scientists in the Indian army plan to weaponize superhot chilis, Lauren Collins ventures bravely into the world of extreme heat. As a warning to readers who fancy themselves tough, she quotes a doctor who makes clear that these peppers aren’t just hot — they’re lethal.
Five-Million-Alarm Fires
Line / Break
The
nightmare
of formatting gone awry: are e-readers bad for poetry?
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Dan Brown’s Worst
At The Telegraph, a list of Dan Brown's worst sentences.
New Morrison Novel
Toni Morrison fans, rejoice! She has a new novel coming out in April, titled God Help the Child.
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Our Correspondent
As a poet, historian, critic, translator and editor of The New Republic, Malcolm Cowley was a genuine literary polymath, which is why it’s not surprising that he wrote eloquent letters. In one, for example, he described Larry McMurtry, who Cowley taught when McMurtry was a Stegner Fellow at Stanford, as a “wild young man from Texas, expert in pornography.” In the Times, Dwight Garner reviews The Long Voyage, a new collection of Cowley’s letters.
Fish N a Barrel
The Vault chooses the "20 Worst Hip-Hop Album Covers". Sorry, South Coast Shorty.
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Day Jobs
This week in book-related infographics, round 2: Lapham's Quarterly takes a look at the day jobs of famous authors, among them T.S. Eliot, who was responsible for processing reports on German debt, and Charlotte Bronte, who had laundry fees deducted from her pay. Pair with our own Emily St. John Mandel's essay on "Working the Double Shift" and "all the strangely varied occupations that a person accumulates when the primary objective is not to establish a career, per se, but just to pay the rent while they’re working on a novel."
The New RIP
Is death “in” as a topic? It may seem like a ridiculous idea, but Lorraine Berry has evidence to back it up. She argues, using Benjamin Johncock’s The Last Pilot, among others, as proof, that mourning and grief are enjoying a bit of a renaissance.
A Portrait of the Artist
John Berger meditates on the life and work of Rembrandt, in an exclusive excerpt from his forthcoming book. As he puts it, “Rembrandt drew because he liked drawing. It was a daily reminder of what surrounded him.”
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