Perhaps inspired by the news, first reported a few years ago, that mad scientists in the Indian army plan to weaponize superhot chilis, Lauren Collins ventures bravely into the world of extreme heat. As a warning to readers who fancy themselves tough, she quotes a doctor who makes clear that these peppers aren’t just hot — they’re lethal.
Recommended Reading: Bret Anthony Johnston on (not) writing what you know. His essay is an excerpt of Writer's Notebook II, published by the folks at Tin House. (Related: we published Harper's editor Christopher Beha's essay in the book last year.)
"When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge." And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
The Bygone Bureau’s latest ebook, The Graduates, is intended to be “a response to all of these half-hearted pieces about how screwed Millennials are,” says editor Kevin Nguyen. “It's true that graduating in 2009 didn't provide the best job market, but in a lot of ways, those struggles have actually led to more interesting experiences and opportunities. And we wanted to capture that optimism.” You can catch two excerpts from the collection over here and over here.
"The reality of being a librarian is that it’s hardly ever about sitting down and it has absolutely nothing to do with peace and quiet." Lit Hub launched Tales of the Library, a new bimonthly column, by Kristen Arnett. From our archives: an essay about libraries and homelessness.
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”