Shakespeare is required reading for the would-be literary scholar, yet with so many articles, books and monographs on the Bard in circulation, it might be time to ask: have English professors finally said all there is to say?
The Man Booker International prize was just awarded to Hungarian author László Krasznahorkai, author of Satantango (later adapted for film by Béla Tarr) and Seiobo There Below. When asked to recommend a starting point for readers who have yet to encounter his work, the author defers: “I couldn’t recommend anything … instead, I’d advise them to go out, sit down somewhere, perhaps by the side of a brook, with nothing to do, nothing to think about, just remaining in silence like stones. They will eventually meet someone who has already read my books.” Well, if a stream isn’t handy, we have a few ideas: our own interview with Krasznahorkai, Stephanie Newman’s review of Seiobo There Below, and Music and Literature’s issue no. 2, featuring literature on and by Krasznahorkai and Béla Tarr.
“A very proper letter (‘scrutinized and corrected by the magazine’s fact checkers and proofreaders,’ wrote the Times) was sent to [Robert] Gottlieb, beseeching him to decline the [New Yorker] job,” writes Elon Green in his overview of Gottlieb’s brief stint as the magazine’s editor. How would you feel if Donald Barthelme, Deborah Eisenberg, Ian Frazier, Jamaica Kincaid, Janet Malcolm, J.D. Salinger, and 148 others all told you, “don’t come” to your new job?
Millions contributor Kaya Genç reports on Istos, a Greek-owned publishing house based in Istanbul, Turkey, that’s “interested in challenging the partial, nostalgic stereotype of the old Greek community as a fashionable elite.” Meanwhile, across town, the Çağlayan Courts of Justice shocked the Turkish literati with a warning for the Sel Publishing House: stop publishing the “obscene” works of writers like William Burroughs and Chuck Palahniuk.
Over at The Washington Post, Jeff Guo makes a case against periods. As he puts it, “When we get excited, the pauses between our sentences shrink. We speak in run-ons. […] A period feels too weighty.” Also check out this Millions piece on the benefits of excising quotation marks.