Piggybacking off a brief aside in Ian Frazier’s new review of James Agee’s Cotton Tenants, Claire Kelley explores an odd and intriguing question: was Agee related to Walt Whitman? (Related: Mallory Ortberg on the probability that Whitman did the dirty with Oscar Wilde.)
Family Matters
Tuesday New Release Day: Adrian, Prose, Doyle, Boyd, Grant
It’s a big week for literary new releases. Chris Adrian’s much anticipated new novel The Great Night is now out, as is Francine Prose’s My New American Life. Also new this week are Roddy Doyle’s latest collection of stories, Bullfighting, and the reissue of William Boyd’s impish prank of a book, Nat Tate: An American Artist. Finally, past Booker shortlister Linda Grant has a new novel out called We Had It So Good.
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Tiananmen at 25
Recommended reading: Wilson Quarterly’s thoughtful meditation on Tiananmen Square, 25 years later.
Grit & Grace
At The New York Times, Stanley Fish on True Grit as “a truly religious movie” in its understanding of the Christian idea of grace.
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Skin-Deep
Recommended Reading: Hestia Peppe on Lindsay Hunter’s Ugly Girls.
The Rights of Southern Writers
Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
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