Piggybacking off a brief aside in Ian Frazier’s new review of James Agee’s Cotton Tenants, Claire Kelley explores an odd and intriguing question: was Agee related to Walt Whitman? (Related: Mallory Ortberg on the probability that Whitman did the dirty with Oscar Wilde.)
A couple months ago, Melville House published a biography of Roberto Bolaño, constructed from interviews the author gave throughout his life. At Full-Stop, Andrew Mitchell Davenport reads the biography, suggesting that the preponderance of myths about the author “makes elucidating Bolaño’s biography a moral issue.” Pair with: our own Garth Risk Hallberg’s Bolaño syllabus.
Congratulations to the five young writers named to the inaugural class of the National Student Poets Program. Louisa Banchoff (17), Miles Hewitt (17), Claire Lee (16), Natalie Richardson (17) and Lylia Younes (17) were appointed by the President’s Committee on the Arts and the Humanities, and they will serve as “literary ambassadors” for the next year.
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).