Recommended Reading: Orlando Luis Pardo Lazo collected sixteen short stories from sixteen authors among Cuba’s “Generación Año Cero” (Generation Year Zero), which is a “movement of writers who began publishing in 2000.” The anthology, which is available for free online in both English and Spanish, features illustrations from Cuban artists El Sexto and Luis Trápaga.
In last week’s Brandeis commencement speech, Leon Wieseltier argued that never has there been a moment in American life when the humanities were respected less but needed more. “In recent years I have come to regard a commitment to the humanities as nothing less than an act of intellectual defiance, of cultural dissidence,” he said.
“A quick scan of the literature shows that the writerly gaze has been most often turned on male artists and their creative processes and passions.” Claire V Mullins aims to redirect this gaze with a list for Electric Literature of 11 novels about female artists, including Zadie Smith‘s latest, Swing Time, which we reviewed last year. Related: Elizabeth Silver on the rise of strong female characters and the death of the literary ingénue.
The ongoing Hachette vs. Amazon feud has writers and publishers up in arms, but according to the Society of Authors there are no heroes in publishing.
In 1979, William Gaddis taught a course at Bard College on “The Literature of Failure,” examining works that somehow focused on personal failure or insufficiency. These included, among other books, Joan Didion’s Play It as It Lays, as well as Dale Carnegie’s How to Win Friends and Influence People. In Bookforum, Casey Michael Henry takes on a related genre: the literature of obsolescence. You could also read James Cappio on meeting Gaddis in person.