“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.
“He taught me that poetry can be anything and with that comes great freedom.” Reminiscences by a former student of the poet John Ashbery upon his death. And for a contemporary take on the question of just what, exactly, poetry is and/or might be, see our recent conversation between Jill Bialosky and Matthew Zapruder.
“’This splendid lady sandbagged me,’ Bloom said in a recent phone conversation, with the lofty, ungrudging admiration of an old general recalling an opposite number’s surprise attack at some long-ago battle. Flummoxed, he asked if they had not made an agreement. Ozick, Bloom recollects, said, ‘When you are dealing with the devil, you must be prepared to do anything!'” This New York Times Magazine profile of Cynthia Ozick makes it clear that, at 88, she shows no signs of slowing down.