“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
Capital G
On Adaptation
Recommended Reading: Alice Walker and Colm Tóibín discuss adaptations of their work for film and stage. Pair with our article on breaking down the Oscar for adapted screenplay.
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The Agony and Ecstasy of a TAL Fact Checker
Surprising news emerged today about This American Life's Mike Daisey episode on Apple's Foxconn subcontractors (previously mentioned on The Millions here, and later here). Apparently portions of Daisey's visit to Chinese Foxconn factories were fabricated, and TAL's producers failed to ensure factual accuracy because he misled their efforts. As a result, the show has retracted the broadcast (PDF), Daisey has issued a statement of defense, and the next TAL episode will cover the entire fiasco.
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The Rules of Drinking and Writing
Geoff Nicholson of the New York Times compares the rules of drinking and the rules of writing in light of the recent reissue of famous cocktail guide The Hour (with a new introduction by Daniel Handler, otherwise known as Lemony Snicket).
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Waste of the Young
Fifty years after T.S. Eliot’s death, the poet’s estate has finally agreed to authorize a biography, which explains the publication of Young Eliot, a new book on his early years. Among other things, the book reveals details about Eliot’s first marriage, in which his wife Vivienne Haigh-Wood gave him the nickname “dearest Wonkypenky.”
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Greenwell’s Debut
“What Belongs to You is a haunting, gorgeous, and fierce debut, capturing desire in every sentence—holding the space of what we long for and what can never truly be ours.” The Rumpus reviews Garth Greenwell’s debut novel. To compare and contrast, pair with our review of the novel.
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Got tired of hearing people talk about Breaking Bad so I finally gave in and watched it and I have no idea what anyone is talking about. It’s just more of the same. People crying and screaming at each other and guns and violence and sturm and drang and so on and so on. Same shit, different decade. You all can have your television shows and binge all you want and then try and convince everyone who doesn’t watch what you watch that what you watch is better than anything else if that makes you feel good about your television addiction.