“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
Capital G
Yossarian Wins
At The Paris Review Daily, Katherine Hill (whose debut novel came out two weeks ago) comes up with a bracket of ideal literary friends. (Understandably, Portnoy beat out Humbert Humbert.)
Brandwashed
“The average American three-year-old can recognize 100 brands,” says prominent advertising and marketing guru Martin Lindstrom. Are we being Brandwashed? For The New York Times, Steven Heller tracks the history of corporate symbols and branding.
Only Connect
Recommended Reading: Anything that Vivian Gornick writes. Here’s an essay from The New York Times on how literature ages and rereading E.M. Forster’s Howard’s End. Our own Lydia Keisling also wrote a fantastic piece on the Forster classic.
●
●
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Dark Investments
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
●
●
The Struggles of Karl Ove Knausgaard
“But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value,” Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
Hemingwrite
Modern technology has finally developed a device that aims to aid all perpetually distracted writers – the cleverly titled Hemingwrite.
Got tired of hearing people talk about Breaking Bad so I finally gave in and watched it and I have no idea what anyone is talking about. It’s just more of the same. People crying and screaming at each other and guns and violence and sturm and drang and so on and so on. Same shit, different decade. You all can have your television shows and binge all you want and then try and convince everyone who doesn’t watch what you watch that what you watch is better than anything else if that makes you feel good about your television addiction.