“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
Capital G
Literature and the Workplace
“Poetry is not connected to my professional work – it is my personal world,” says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”
Moral Fiction
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.
One comment:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Nicole Dennis-Benn Moves Forward
Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration.
●
●
●
Love Letter to Technology
The last book that Michelle Vider loved was our own Emily St. John Mandel’s Station Eleven, which was a finalist for the 2014 National Book Award. Claire Cameron’s interview with Mandel from The Millions is a nice complement.
Not a Title
In the first two lines of a piece in the latest New Yorker about the Alaskan poet Olena Kalytiak Davis, Dan Chiasson points out that her new book, The Poem She Didn’t Write and Other Poems, has an undeniably excellent title. In describing her appeal, he says that her submissions to the canon are “anti-submissions,” by which he means that she actively rejects association with more famous poets. “Davis’s professed unworthiness is one of many tricky manifestations of her ambition,” he writes.
●
●
Got tired of hearing people talk about Breaking Bad so I finally gave in and watched it and I have no idea what anyone is talking about. It’s just more of the same. People crying and screaming at each other and guns and violence and sturm and drang and so on and so on. Same shit, different decade. You all can have your television shows and binge all you want and then try and convince everyone who doesn’t watch what you watch that what you watch is better than anything else if that makes you feel good about your television addiction.