Recommended Reading: Jessica Contrera’s mesmerizing account of a shuttered Waffle House in Bloomington, Indiana. I promise you. This is worth your time.
Bud Powell Says “Goodbye”
WWII-era NYC… In Living Color
These color photographs of WWII-era New York City may rival those color photographs of pre-revolutionary Russia.
In Defense of Criticism
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
Keeping Pace
“I wish I were jogging shirtless but / I need somewhere to clip the mic,” says Jon Cotner as he records his poem, “Long Meadow,” while jogging through Prospect Park.
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Tuesday New Release Day: Green; Simsion; Harrison; Israel; Enniss
New this week: Saving Grace by Jane Green; The Rosie Effect by Graeme Simsion; The Bishop’s Wife by Mette Ivie Harrison; The Global War on Morris by Steve Israel; and After the Titanic: A Life of Derek Mahon by Stephen Enniss.
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The Hype Cycle
Elif Batuman entertainingly muses on “hype” and resolves to “write five 5-star Amazon reviews this month of books I love by living authors.”
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None Found Here
Not sure what’s honest and what’s not in your life? Then consult Carl Sagan’s Baloney Detection Kit, which handily lays out seven tools for identifying bad ideas. The astronomer also provided a list of common fallacies in his 1995 book, The Demon-Haunted World.
New from Jess Walter
The Financial Lives of the Poets author Jess Walter has a new short story out in the Kindle Single format: “Don’t Eat Cat“.
Was just reading this article and musing about its relation to some of the comments on the Millions’ recent article on “John The Posthumous” by Jason Schwartz. The Millions comments raised some interesting questions about complex and simple style.
When I think about a complex, intricately detailed writing style, it bring to mind “My Name Is Red” by Orhan Pamuk. The style is such a perfect match for the setting – the 16th-century Ottoman Empire, and the lead character – a master miniaturist and illuminator of books. The novel is stuffed full of exotic tidbits -figurative art and Islam, tricky marital law issues, weird fantasies. I loved the novel and now pine to visit Istanbul.
In contrast, Ms. Contrera’s story is built up of deceptively simple observations, in a plain “Midwestern” style, that coalesce to creative a massive emotional impact. The style made me think of flat Indiana roads and sunshine.
I loved both pieces, and found the choice of style perfect for the story told. As my buddy Randy at the Y security desk says regularly, “It’s all good!”
Beautiful piece. Visits to that Waffle House were a cornerstone of my 4 years in Bloomington.