Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante’s Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.
"I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa." Alexander McCall Smith on the dangers of overwriting.
"The Laughing Monsters is, ultimately, about reality, myth, and outright lies. Johnson has always been interested in those moments when the thin skin of the world breaks and we are ushered, unprepared, into another realm." Stav Sherez reviews Denis Johnson's The Laughing Monsters (which we listed in our Second-Half 2014 book preview) and considers the modern spy thriller for the Los Angeles Review of Books.
"For a novelist, writing letters is writing that is not writing," Ed Park says of P.G. Wodehouse's collected correspondence, A Life in Letters. The Year in Reading alum goes on to note that "a collection of letters is the unconscious narrative the author generates over the years."
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she's followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
Brittany Oliver listed the “6 Most Influential Women Writers You've Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.