The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma’s past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.
Bildungsroman Babble
Known To Everyone
“I took a ride (on an elephant); but it was by request—I did not ask for it, and didn’t want it; but I took it, because otherwise they would have thought I was afraid, which I was.” Mark Twain, the consummate American, travelled the world in style–despite having almost no money. Allow me to direct your attention to this complementary Millions piece on Twain and the art of travel writing.
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The Curse of the Diaeresis
Okay, so the deal with the famed and occasionally disdained New Yorker umlaut on words like “cooperate” is that it is not an umlaut, it is a diaeresis, and they’ll be holding onto it, thank you very much.
A very colorful Queen!
Pantone has released a Queenly color wheel, made especially to mark Queen Elizabeth’s Diamond Jubilee. The wheel is made up of the Pantone referents for the colors her Majesty has worn throughout her reign, and each chip bears a historical note on the particular hue’s tie to her wardrobe. This is especially good news if, like Slate, you think that the Queen is the most fashionable woman in the world.
Hold On
Lindsay King-Miller — she of Ask A Queer Chick — pays tribute to an old friend who died before her twenty-sixth birthday.
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British Writers On Lady Chatterley’s Lover
At the Telegraph, Roya Nikkhah looks back at the unpublished letters of some of Britain’s greatest writers that reveal what they really thought of the controversial Lady Chatterley’s Lover.
“Neither Tarnished Nor Afraid”
“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).
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