It can be hard to sell any home, but what if you’re trying to unload the site of a cult’s mass suicide, or a brutal celebrity stabbing? How do you determine a price people might pay for such “stigmatized properties?” It’s simple, really. You call Randall Bell.
On the New Yorker’s Elements blog, our own Mark O’Connell writes about Cloak, a new app which lets you avoid people you don’t want to bump into by accident. Despite the fact that Mark can see himself using the app, he finds it “ultimately troubling,” in large part because it strikes him as “such a lonely thing to have achieved through technological control of our social environments.” (Speaking of apps, have you read Mark’s epic e-book?)
Esquire offers up a terrific time sink, “The 7 Greatest Stories in the History of Esquire Magazine.” Included among these gems of long-form journalism, which are all reprinted in full, is Richard Ben Cramer’s “What Do You Think of Ted Williams Now?” which appeared on the list of best sports journalism we ran last month.Not long ago, we discussed the books that first stoked our love for reading. The Guardian takes it one step further, asking “What were your favourite books before you could read?“A brief YouTube profile of Annette Gordon-Reed, National Book Award winner for The Hemingses of Monticello.From The Morning News, a slightly insane, moderately epic profile of Dmitri Nabokov, son of Vladimir.Also from The Morning News, a bit about The Chicagoan, the long-lost New Yorker-esque magazine for the Second City, now memorialized in coffee-table book form. If ever any cities (besides New York of course) could be granted New Yorker-like magazines, Chicago and Los Angeles would be deserving. BoingBoing points to some pdf excerpts of the book.Poll watching savant Nate Silver takes execrable rabble-rouser John Ziegler to task for a dubious survey of Obama supporters. Petulance ensues.
The Coffin Factory, a “magazine for people who love books,” interviews New Directions’ Barbara Epler and Tom Roberge about “publishing and finding bold, new experiments in literature from around the world.” (via)