Beauty is in the eye of the writer. Adelle Waldman discusses why many novelists fail to address female beauty in a meaningful and nuanced way. “Women are not only subject to a constant and exhausting and sometimes humiliating scrutiny—they are also belittled for caring about their beauty, mocked for seeking to enhance or to hold onto their good looks, while men are just, well, being men.”
“The home I grew up in will never exist again, and this is why I write so much about home, perhaps. Because I lost mine,” Jesmyn Ward told Roxane Gay in an interview for The Toast. They discussed Ward’s new memoir, Men We Reaped, her writing process, and how she deals with being labeled a “black woman writer.”
Books from their own imprint we hope. “In the last decade, in fact, the celebrity imprint has become something of a cottage industry, an endeavor mutually beneficial to publishing houses in pursuit of stars and their lucrative fanbases and celebrities looking for another feather in their cap.” Some of the celebrities on this list might surprise you, read on to learn about which ones have a publishing imprint.
Anyone who’s ever forgotten a million-dollar idea will attest to the maddening tendency of the subconscious to forget things. For many people, this extends to dreams, where the best ideas can pop up and die before the morning. But why is it so difficult to remember them? At Salon, the neuroscience behind our chronic inability to remember dreams. Related: Blake Butler’s innovative Year in Reading piece.
Right on the edge of Banned Books Week, Rainbow Rowell discusses when Minneapolis’s Anoka-Hennepin school district, the county board, and the local library board censored her from coming to speak about her YA novel Eleanor & Park. “When these people call Eleanor & Park an obscene story, I feel like they’re saying that rising above your situation isn’t possible,” she says.