How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.
In the Prospect, an essay on anesthesia, 3D printing, teleportation, LSD, and other thought experiments on self-awareness. Also, this line: “If the spectrum of selfhood begins with the roundworm, surely it ends with Proust.”
We’ve covered the Atlantic series By Heart a number of times before. It features notable authors writing about their favorite passages. In the latest edition, Mary-Beth Hughes picks out a paragraph from Penelope Fitzgerald’s The Blue Flower, about a poet who’s trying to cope with grief. Sample quote: “Reading Fitzgerald, I felt it was possible to write as I’d experienced dancing.”