The thing about Dave Chappelle, writes Rachel Kaadzi Ghansah in her marvelous essay on the comedian’s family history, the success of Chappelle’s Show, and how the two informed his opinions on race, “is that he was suddenly vaulted into the awkward position of being the world’s most famous interlocutor in a conversation about race—the one conversation no one likes having.” In light of his recent heckling in Connecticut, as well as the continued misinterpretation of his comedy, “it’s easy to understand why Chappelle was done with being misread, tired of explaining, [and so he] finished talking.”
“A move that was, in a way, Chappelle’s birthright”
Speculation
“The only kind of drama is human drama. What matters is how deep you dig.” At the Ploughshares blog, a case for science fiction over “dysfunctional family dramas.”
“Var inte ond”
The most striking thing about Google’s effort to block Sweden from coining a word for “ungoogleable” (“ogooglebar”) is that the proposed Swedish word somehow sounds more English than its actual translation.
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Robert Gardner and Peter Matthiessen in Conversation
The New York Times unearthed footage from a 1996 interview with Robert Gardner and Peter Matthiessen. The pair discuss a trip they took to New Guinea in the 60s, which “resulted in Gardner’s film Dead Birds and Matthiessen’s book Under the Mountain Wall.”
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Two Sides of the Book Biz in Britain
Two Sides of the Book Biz in Britain: A small press specializing in works in translation is seeing success thanks to uniquely personal approach… while the big presses are teaming with supermarket chains in a race to the bottom.
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Virtual Hannah Tinti
The latest in virtual author appearances, an especially useful option for literary venues in the snowy midwest during winter: Hannah Tinti on Skype (audio and video) in Minneapolis via the Magers & Quinn “Books & Bars” Book Club series.
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