Short on insult fodder? In that case you’ll want to read Colin Burrow’s review of Melissa Mohr’s Holy Shit: A Brief History of Swearing. It includes such notables as: “slapsauce fellows, slabberdegullion druggels, lubbardly lowts … slutch calf-lollies, grouthead gnat-snappers, lob-dotterels, gaping changelings, [and] codshead loobies.” In the end, “swearing is one of the most basic human acts,” he writes.
You ninnie-hammer flycatcher!
Interview interviews, Vacationers vacation, etc., etc.
Interview, well, interviews Emma Straub on beach reads, vacation, and The Vacationers. Bonus: Elizabeth von Arnim‘s The Enchanted April is mentioned, and if you haven’t already read the book or seen the movie, please do so immediately.
“I’m going to go jump off the Burnside Bridge”
Recommended Reading: Powell’s bookseller Kevin Sampsell’s piece about talking a customer out of committing suicide, only to then be plagued by the thought of killing himself afterward.
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Working-Class Heroine
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
Georges Perec also remembers
George Perec‘s I Remember, a series of aphoristic memories modeled after Joe Brainard’s volume of the same name, are finally making their way into English translation. The Paris Review has an excerpt. “I remember that Stendhal liked spinach… I remember that one of the first decisions that de Gaulle took on coming to power was to abolish the belt worn with jackets in the military.”
Bulletproof
“When a female politician’s worst crime is to be unlikeable and uncompassionate, how much rationality and coldness is acceptable for women intellectuals and artists? Just how tough is tough enough?”
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Against Writers’ Houses
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Please (Don’t) Please Me
Callie Collins sits down with Emily Bell, the editor of Farrar, Straus, and Giroux Originals, in the latest issue of Midnight Breakfast. Bell also published Lucia Berlin’s recent story collection A Manual for Cleaning Women. Bell states: “The voices I publish, they’re not trying to please their readers.”