“I’ve been hailed as a hero (hipster poets love me), gotten the rock star reception (by research librarians), and been dismissed with derision, thought possibly to be deranged,” says Jon Danzinger. So what’s his job, you might ask? He’s a researcher for the Oxford English Dictionary.
Jenn Shapland had the pleasure of cataloguing the archives of Carson McCullers, Gertrude Stein, and Sir Arthur Conan Doyle. Their possessions left her with a few lingering questions. Pair with Shapland’s piece on cataloguing David Foster Wallace’s The Pale King.
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?
As some of you may have heard, a handful of pioneering companies are trying to use flying robots in place of cars for deliveries. In the Bay Area, the geniuses behind Tacocopter are blazing a new path for restaurants, while in France, the postal service in Auvergne is working on a system for newspapers. (Fingers crossed that somebody will try this with lit mags.)
With the preliminaries out of the way, The Morning News Tournament of books unveils its first head-to-head matchup today, Teddy Wayne's Kapitoil versus Jonathan Franzen's Freedom. Don't miss the commentary that accompanies each judgment (some say it's the best part of the whole thing.)
If you want to read a book with obscenity in it in Russia after July 1, you'll find it in a sealed package with a warning label. The law is the latest in Vladimir Putin's censorship crusade and also bans swearing in films and live performance. Interestingly, the banned words are still up for the debate by the Ministry of Culture. At The New Yorker, David Remnick discusses just how unique and diverse the Russian language's profanity is.