Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.
Writing Contests Galore
2010’s Best Nonfiction
“Nearly 100 Fantastic Pieces of Journalism” from 2010, compiled, annotated, and linked-to by Conor Friedersdorf of The Atlantic. No Millions pieces here, alas, but we’re gunning for you in 2011, Friedersdorf!
●
●
Coherence Salad
“You couldn’t say, no, this is actually a president, this is exactly how a leader ought to talk and reason, because even with the uhs and ums cleaned out and the spoken sentences made to look like written ones, Trump’s discourse isn’t coherent.” Linguist Michael Erard for The Awl on reading Trump’s transcripts.
Living like Fitzgerald
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
●
●
●
●
“I knew what I wanted to do all my life. I wanted to write senior theses.”
●
●
Choosing Covers
It’s not often that a major publisher listens to a new author when they request a specific painting be used for their book cover. But they listened to Naomi Jackson, and over at the Literary Hub she explains her choice of cover art for Star Side of Bird Hill and the Caribbean significance behind it.
●
●
Disturbing the Book Reviews
Over at The New York Times, our own Garth Risk Hallberg reviews A. M. Homes’ May We Be Forgiven. And in October, so did we.
●
●