Two of my favorite writing contests are wrapping up this October. You have until the first of the month to enter the Missouri Review’s Editors’ Prize Contest. $5,000 will be awarded to the best fiction, essay, and poetry. Meanwhile, you have until October 31st to enter DIAGRAM’s Essay Contest, which is open to all types of essays such as those “in an expansive sense, meaning essay as experiment, essay as heterogenous and sometimes strange or unruly beast.” That contest’s prize is $1,000 plus publication.
“On Thursday, an uncorrected proof of her debut novel, Harry Potter and the Philosopher’s Stone, with the writer’s name was misspelled as “JA Rowling”, became the muddled copy to fetch four figures at auction.” The Guardian presents a survey of famous literary typos and malapropisms. See also our own Edan Lepucki‘s interview with her beloved copyeditor Susan Bradanini Betz.
Lewis Carroll’s Alice’s Adventures in Wonderland is one of the world’s most translated books. In German alone, there are over 40 different translations. A new project published by Oak Knoll Press devotes three volumes to exploring the challenges of translating Carroll’s wit, puns, and linguistic tricks in 174 languages, from Afrikaans to Zulu.
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.
“What I want to argue is that we in contemporary English and literature departments need to think instead about how to keep doing abstraction, but better—how can we ‘own’ it, as my students might say, rather than wish it away.” Jeanne-Marie Jackson writes at 3:AM Magazine about comparative literature, the public, and politics.