The fourth season of Downton Abbey will have a treat sure to delight certain literary fans: a cameo from Virginia Woolf. The series will resume on US television next January, so you have plenty of time to hit the books before then.
“The last two years have given long overdue visibility to trans / non-binary realities, pushing us to re-imagine what centering the margins truly means. Being intentional, though, is more than a special issue of a literary journal for the ‘marginalized;’ it’s about creating a space for folk to curate, create, and declare their own bodies: of work, of resistance, of survival.” Editor Jayy Dodd introduces the new issue of The Offing, devoted to trans and non-binary artists. Pair with our own Sonya Chung’s piece on literary activism.
Was Miami made for the mystery novel? The most iconic mysteries and detective novels are anchored firmly in their sense of place, and no place is more hospitable to commodifiable crime and violence than sunny South Beach. If it’s more Florida weirdness you’re after, look no further than our own Nick Moran.
East Coasters can prepare for Hurricane Irene by reading Hart Crane‘s “O Carib Isle” (via W.W. Norton & Co.) or William Carlos Williams‘ “The Hurricane” (via Proustitute). The Book Bench has also compiled a list of “Six Shorts to Read During a Hurricane.”
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
At Bloom this week, check out the multi–part feature on Spencer Reece‘s poetry project at an orphanage in Honduras, which includes a documentary film for which singer-songwriter Dar Williams is composing/performing the soundtrack. Watch an exclusive two-part video interview with Reece and Williams about their friendship and collaboration.