When The New York Times tried to ask Jhumpa Lahiri what immigrant fiction inspired her, she smacked the question down by saying there is no such thing as immigrant fiction. “If certain books are to be termed immigrant fiction, what do we call the rest? Native fiction? Puritan fiction? This distinction doesn’t agree with me. Given the history of the United States, all American fiction could be classified as immigrant fiction.”
Us vs. Them
Meeting the Locals
If you’re like me, you probably assumed you’d never read the phrase “George Saunders in O, the Oprah Magazine”, but this is where his latest piece has turned up. As part of a creative way of presenting a list of books to read, the author imagines what reading material he’d give to an alien who wants to know what it’s like to be human. For more on his work, go read our own Elizabeth Minkel on his legacy and recent collection.
Interview with an Innkeeper
Some holiday cheer: John Scalzi offers up an interview with history’s most famous innkeeper.
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The Vulgar and Beautiful
At Big Other, Greg Gerke reads William H. Gass’s The Tunnel and looks at language, the controversy over the book, and how the vulgar and the beautiful relate.
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Ah, the Humanities!
Nicholas Dames is a wonderful writer, and I suggest you read his essay on the “crisis” in the Humanities.
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“describe this flight / and not add a last line.”
“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”
La Buena Educacion
At The Paris Review Daily, Pedro Almodóvar tallies the elements of cinematic comedy, which include good timing, “rapid-fire dialogue” and rehearsals that draw out spontaneous performances from actors.