New writers need to trust themselves, Marilynne Robinson advises in an interview with Thessaly La Force for VICE. “The idea that you might do something radically brilliant—that assumption is very empowering and it has given the world a lot of really interesting things to look at,” she said.
The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn't a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. "But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness," Hamid wrote. We think that's a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.
Meg Wolitzer's The Interestings has been a Millions favorite, so we're excited to hear about her next book, Belzhar, a young adult novel inspired by Sylvia Plath. The book comes out on September 30 and follows a 16-year-old grieving at a boarding school for fragile teenagers, where she and her classmates discover an alternate world. Wolitzer spoke to NPR about why she was drawn to YA. "Much of what adolescents feel seems set in relief, and much of what they experience is happening to them for the first time."
“I should probably write a few words about 2015, but the year is stale now, rung out like a damp dish rag and left to dry in the cold, dour winds of some rundown burg blasted off the map by poverty and overcast. 2015 has been recorded, logged, and filed away as History, and as an American, I abide by my country’s allergy to revisiting History.” Catapult’s Mensah Demary on the tradition of New Year’s resolutions.
Man Booker judge Colin Thubron expressed frustration with gushing book blurbs, which he says "almost blackmail" readers: “you’re either intellectually or morally incompetent if you don’t love this book or you’ve failed if you haven’t understood it.” Our own Bill Morris tackled the age old question—”To Blurb or not Blurb”—a few years ago.
In TNR, Ruth Franklin attempts to debunk the "strangely antiquated definition of American writing" posited in Dalkey's Best European Fiction anthology. (via)