Moving from New York to Baton Rouge might sound extreme to some, but not to Emily Nemens. Over at Lean In, she explains how she worked her way up from graduate assistant to Southern Review coeditor.
“There was a sort of magic down here.”
Tuesday New Release Day: Gray; Wang; Khadivi; Ibrahim; Rieger
Out this week: Isadora by Amelia Gray; Chemistry by Weike Wang; A Good Country by Laleh Khadivi; Season of Crimson Blossoms by Abubakar Adam Ibrahim; and The Heirs by Susan Rieger. For more on these and other new titles, go read our most recent book preview.
●
●
Appearing Elsewhere
I wrote an essay for The Dublin Review on the strange phenomenon of Internet unboxing videos, in which people remove new purchases from their packaging and talk us through the process in exhaustive detail. You can read the whole thing online here.
●
●
Lucy Ellmann’s 45-Hour Audiobook
Actress Stephanie Ellyne narrates the audiobook version of Lucy Ellmann's Ducks, Newburyport, which spans 45 hours and 34 minutes.
●
●
●
Personal Space
Sometimes, in a narrative, it’s necessary to focus on one scene, in one place, for as long as one possibly can. In his new graphic novel, Here, Richard McGuire takes this to an extreme, setting the entirety of the story in one corner of a character’s living room. In the Times, Dwight Garner reviews the new book.
●
●
Have a Seat
“If I’ve sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more,” Geoff Dyer loves to sit. He and other authors discussed why the standing desk is overrated at The New Republic. Here’s where our writers work.
●
●
Art and Gentrification
“Can art, so often used by developers to mask the violence of displacement, instead be used to resist gentrification?” The New Inquiry reviews Streetopia, a collection of essays edited by Eric Lyle. Pair with our own Michael Bourne’s essay on gentrification in New York City.
●
●