Do you love old jazz? Are you nostalgic? Did your wife mysteriously disappear? Then you might be in a Haruki Murakami novel. At The Toast, Alice Lee gives criteria to determine whether you’re part of Murakami’s fictional universe.
The Wind-Up You Chroncile
George and Robin
Our own Elizabeth Minkel has been posting sights and quotations from a recent George R. R. Martin and Robin Hobb event in London. You can check out her coverage over on Tumblr.
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Non-Directional Horniness
“Pink Trance Notebooks is the mind working, is material rising from somewhere deep to be shaped and reshaped into blocks of dreamlike text. It is also surface: material gathered from within reach.” Sarah Gerard at Hazlitt in an interview with Wayne Koestenbaum, whose new book is out in October.
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“Can you lend me [Goethe’s] Theory of Colors for a few weeks? It is an important work. His last things are insipid” -Beethoven
Booktryst offers a peek at famed German novelist and (apparently) amateur physicist Johann Wolfgang von Goethe’s Theory of Colors, revealing Goethe as a sort of proto-Kandinsky.
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Murakami on the Stage
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
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