Do you love old jazz? Are you nostalgic? Did your wife mysteriously disappear? Then you might be in a Haruki Murakami novel. At The Toast, Alice Lee gives criteria to determine whether you’re part of Murakami’s fictional universe.
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
Writing about European immigration laws for the London Review of Books, Jeremy Harding drops this excellent line: “Perhaps we should agree to think of rights and values as limited resources, and admit that Europe is now caught in a bitter struggle over who can or can’t access them.”
In remembrance of Maurice Sendak: a look at his life in pictures, a video of Sendak speaking on his 80th birthday, a 2006 profile from The New Yorker, a 2012 interview with Stephen Colbert, an illustrated conversation between Sendak and Art Spiegelman, and a touch of comedy from The Onion.