Do you love old jazz? Are you nostalgic? Did your wife mysteriously disappear? Then you might be in a Haruki Murakami novel. At The Toast, Alice Lee gives criteria to determine whether you’re part of Murakami’s fictional universe.
In the beginning was the word, and the word was plagiarized, and this regular old plagiarism was bad. But then Jonah Lehrer taught us about self-plagiarism, and that was bad, too, but somehow less so. And now Jane Goodall is teaching us about Wikipedia plagiarism, which seems bad as well, and you know what? It’s hard to grade these things anymore. What’s next? David Bowie cribbing lines from T.S. Eliot?
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. "The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life."