The Pioneer Detectives is coming to San Francisco! Join author Konstantin Kakaes and Gelf Magazine editor David Goldenberg at The Knockout in the Mission, Tuesday, September 17 at 6.30.
The Economist digs into the stupid “debate” over Philip Roth’s International Booker win.
It appears that our own Sonya Chung’s consideration of underappreciated Russian writer Sergei Dovlatov played a role in getting one of his stories published in a forthcoming issue of PEN America.
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.