In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
"APRIL is the cruellest month, breeding/Lilacs out of the dead land,/we’re graduating in may/do we seriously still have to do the reading/theres like three weeks left you cant be serious." You know T.S. Eliot's "The Wasteland," but have you read Mallory Ortberg's "The Teenage Wasteland" at The Toast?
For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
Dave Eggers' latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that's a collaboration with his artist daughter Kate Russo. Sheila Heti's How Should a Person Be? is out (Don't miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow's The Kings of Cool (a prequel to Savages), Joshua Henkin's The World Without You, and Carol Rifka Brunt's Tell the Wolves I'm Home. In non-fiction, There's David Maraniss' Barack Obama: The Story.