In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
"Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one." Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer's prolific 2017 Year in Reading entry.
What if Hamlet were a punk who skateboarded over Ophelia? At The Toast, Mallory Ortberg imagines Shakespeare's Hamlet with a teenage dirtbag cast complete with hilarious illustrations by Matt Lubchansky. "im going to the cemetery to touch skulls." We hope this becomes a regular series.
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?