Will Staehle designed the cover art for Michael Chabon’s latest novel, Telegraph Avenue (Millions review), and his finished project is certainly eye-catching. But what of the designs that didn’t make the final cut? Over at the Huffington Post, you can take a look at some of his other ideas.
Telegraph Alternates
Messes of Contradiction
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
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Julie Powell at Powell’s
The Julie Powell interview at Powell’s — on butchery and infidelity and self-disclosure.
In Memoriam: Gordon Willis
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
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The Not-So-Invisible Man
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
The Cartoon Curator
Didn’t find the latest New Yorker cartoon funny? Take it up with The New Yorker‘s cartoon editor, Bob Mankoff, who discusses the magazine’s “idea drawings” and humor in his TED talk, Anatomy of a New Yorker Cartoon. Bonus: check out Mankoff’s favorite New Yorker cartoons.
Nikky Finney on the Poet’s Responsibility
Nikky Finney and Walter Mosley discuss her responsibility as a poet to share her different perspective with the wider world.
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In Brief
Leave it to the Paris Review to come up with this amazing contest: send them your “most self-seriously bookish” photo for a chance to win a Frank Clegg briefcase.
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Much Ado About Burgers
Exhibit A: Joseph R Worthen’s ongoing series investigating the state of “Fast Food Hamburgers in the Southeastern United States.” (Parts Two and Three, too.) Exhibit B: Blake Butler’s nauseating (yet hypnotic) “Review of the New Wendy’s Pretzel Burger.”
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