Daniel Woodrell was so busy dodging bill collectors that he almost missed a telegram from an agent interested in his first novel, Under the Bright Lights. He discusses his writing career, the film adaptation of Winter’s Bone, and how he’s used the same coffee mug since 1974 for The Daily Beast’s “How I Write” series.
Telegram for You, Sir
Bring your @ game.
Sarah Weinman has compiled a list of verified literary Twitter accounts on her blog.
“Instead of Sobbing, You Write Sentences”
“Most of the time I think of the self as a snare, and I don’t like being trapped in it. I try to reach out beyond my pittance of experience and connect to the world, but it turns out one way to do that is to be honest and accurate about my own life.” Leslie Jamison interviews Charles D’Ambrosio for The New Yorker. Pair with our own Hannah Gersen‘s review of D’Ambrosio’s Loitering.
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Where She Was From
For only $1.65 million, you can have a piece of Joan Didion’s childhood. Her high school home, The Didion House, is on the market in Sacramento. Before you make a bid, it might be good to brush up on California with Didion’s 2003 memoir, Where I Was From.
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Formative Pancakes
“Everything I learned about writing, I learned from watching people.” David Sedaris talks with The Rumpus about IHOP and his newly published collection of diary entries Theft by Finding.
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The Hunted
Veterans of writing workshops will know that a good story has a heavy dose of conflict. One can add it to a story in many ways, but one of the best and most reliable is to add a predator, either in the form of a threatening organisation or an animal or person with malicious intent. At the Ploughshares blog, Year in Reading alum Megan Mayhew Bergman reflects on predatory literature.
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