Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
After nearly a quarter of a millennium, the Encyclopedia Britannica is ending its print run. While the publication plans to move to a digital subscription based model, and to continue to gather information about the known world, many are sad to note its passing. Roxane Gay offers a particularly heartfelt eulogy: ” it was exciting to open the huge box and pull out the leather bound volumes, so many of them, the pages lined in gold.”
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
In the past ten years, we’ve seen many attempts to construct a taxonomy of the hipster, which is why it’s refreshing to come across a novel account of the term’s origins. At The Atlantic, Karen Swallow Prior makes a convincing case that T.S. Eliot, in The Love Song of J. Alfred Prufrock, invented the “cuffed-trouser urbanite on the hunt for authenticity.”
Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.