If you were like this writer when you were growing up, you knew — nay, believed — that Sonic the Hedgehog was better than Mario, full stop. At The Verge, Trent Volbe explains the Blue Blur’s greatness, including a sample from the Green Hill Zone soundtrack to illustrate the games’ sick bass grooves.
At Salon, Cornel Bonca reviews Roth Unbound, a new “hybrid” biography of Roth that New Yorker staff writer Claudia Roth Pierpont wrote after months of interviews. Although the book glosses over Roth’s personal flaws, it gives a great overview of his work, Bonca writes.
In a 2010 profile, Deborah Eisenberg told us, of her current efforts at writing fiction, “I’m sort of desperately throwing myself against pieces of paper and only coming up with what look like bug smears.” Now, as will shock none of her readers Eisenberg has come up with something considerably more appetizing: a new short story called “Recalculating.” It’s available, free, at the NYRB (!).
New Yorker darling Tessa Hadley has a new novel out this week, The London Train. Also out is the controversial oral history of ESPN, Those Guys Have All the Fun: Inside the World of ESPN, which reportedly offers up ample doses of insider gossip and bad behavior. And finally, there’s The Influencing Machine: Brooke Gladstone on the Media, in which contemporary journalism is explored in a graphic novel format. Here’s a taste.
Riverhead Books makes an amusing pun in a new fundraiser in which individuals can purchase 3D heads of Riverhead authors — Marlon James, Khaled Hosseini, Elizabeth Gilbert, Lauren Groff, Nick Hornby and more. Proceeds will go to the nonprofit Libraries Without Borders, which supports migrant and refugee populations in Europe by making books and learning materials accessible in multiple languages.
“The peace may be holding, but the process is faltering,” writes Colum McCann, forty years after the Dublin/Monaghan bombings, in his evaluation of Ireland’s present relationship with the “Troubles.” “It is, of course, naïve to expect total reconciliation,” he continues. “Some grievances are so deep that the people who suffered them will never be satisfied. But the point is not satisfaction — the point is that the present is superior to the past, and it has to be cultivated as such.”