Shakespeare conspiracy theorists might still wonder who the real playwright was, but we do know what he would’ve sounded like. Linguist David Crystal and his son, actor Ben Crystal, demonstrate the original pronunciation of the Bard’s best. Bonus: An interview with Ben on the research behind the pronunciation.
Sounding Off
Dispatch from South Asia
The summer issue of 91st Meridian is out, featuring new translations from Hindi, Bangla, Urdu, Tamil, Punjabi and Malayalam. For more literature in translation, check out with this Millions essay about translators at work.
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Tuesday New Release Day: Faulks, Drop Caps
New this week are A Possible Life: A Novel in Five Parts by Sebastian Faulks and the first six titles (A through F!) in Penguin’s snazzy new Penguin Drop Caps series.
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Agustina Bazterrica on Cannibalism and Dystopian Fiction
Agustina Bazterrica discusses her novel, Tender Is the Flesh, and reflects on fiction’s ability to raise questions and open minds.
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Sherman Alexie’s ‘Part-Time Indian’ Turns 10
To celebrate its 10th birthday, The Absolutely True Diary of a Part-Time Indian, Sherman Alexie’s National Book Award winning YA novel, is being reissued. The special anniversary edition features a new introduction by Jacqueline Woodson, family photographs, a new afterward, and an excerpt from the book’s upcoming sequel, Rowdy, Rowdy, Rowdy. Also worth your time is Woodson’s 2016 year in reading.
Enigmatic, Disturbing Sirens
Marina Warner reviews the “enigmatic and brief” and somewhat disturbing “The Professor and the Siren” for The Paris Review. As luck would have it, our own Sonya Chung reviewed the same story for The Millions.
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The Particular Pleasures of Literature
At 3 Quarks Daily, Akeel Bilgrami’s essay on the pleasures of literature: “To understand what is special about literature is not to delegate the emotions to literature while retaining thought for philosophy and science. The idea is to find in the distinctly expressive function of literature, a refusal of that tired dualism.” (via Book Bench)
Jennifer Egan and Personal Writing
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.
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The Great Silence
“I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?” New short fiction from Ted Chiang over at Electric Literature (and introduced by Year in Reading alum Karen Jay Fowler)! Pair with our encyclopedic survey of primate lit.
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