To the debate over whether or not male writers have trouble creating realistic female characters, we can add the opinion of Ester Bloom, who argues at The Hairpin that most male writers mold their female characters according to four archetypes: the virgin, the whore, the mother and the bitch.
"All war literature, across the centuries, bears witness to certain eternal truths: the death and chaos encountered, minute by minute; the bonds of love and loyalty among soldiers; the bad dreams and worse anxieties that afflict many of those lucky enough to return home." In an omnibus review for The New York Times Michiko Kakutani looks at the fiction and journalism being written about the wars in Iraq and Afghanistan, including recent Year in Reading alum and National Book Award winner Phil Klay's Redeployment and Dexter Filkins’s The Forever War, "the one book that most fluently and kaleidoscopically captures both the micro and the macro of Iraq." She also wonders, and attempts to explain, "why has there been no big, symphonic Iraq or Afghanistan novel?"
The big, blockbuster book this week is the final installment in the late Stieg Larsson's trilogy, The Girl Who Kicked the Hornet's Nest. Those just catching on to the Larsson phenomenon can also now get the complete set. Moving on to quirkier fare, there's The Hour: A Cocktail Manifesto, a reprint of a 1950s treatise on drinking with a new introduction by Daniel Handler (aka Lemony Snicket). And finally, Library of America is putting out a volume of novels and stories by master of gothic fiction, Shirley Jackson.
Riane Konc reviews the app Blinkist: "Blinkist is decidedly not a substitute for reading books. It may be a substitute for reading books that no one actually needs to read in the first place, books that only contained 15 minutes worth of an idea but had to be stretched out to 200 pages for the publishers." The app summarizes over 2000 nonfiction books in 15 minutes: read Konc's review and see if you should give it a shot.
Ultra-niche magazines operate a bit differently than their larger and more mainstream cousins. Magazines like Donkey Talk, which caters exclusively to donkey hobbyists, aim for tiny audiences of a few hundred to a few thousand readers. They also cultivate their own jargon -- one magazine, The Mountain Astrologer, tosses the word “quincunx” around as casually as “email.”