From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
Scribbles in August
New Old Advice for Writers
“The internet teems with writerly advice, almost all of which suggests that creativity is served best by monasticism, a quiet life filled with pencils—but that kind of advice seems to take a very short view of history, overlooking the one classic way to rouse the capricious Muses: sexually transmitted disease.” According to The Hairpin, maybe it’s not an MFA you need, just syphilis. After all, it seems to have worked for James Joyce, Baudelaire, Flaubert, Oscar Wilde and many, many others.
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He’s Got Game. Literary Game.
I could tease and build up Allison Hill‘s article on “Literary Seductions“, or I could just let the first line entice you on its own: “I once slept with a man because he gave me a copy of Murakami’s The Wind-Up Bird Chronicle.”
Desconocido
Why do Americans read so few translated works? A lot of reasons come to mind, but one is that translated books are often the purview of small publishers, who don’t have the same marketing budgets as the larger companies in the industry. At The New Yorker’s Currency blog, Vauhini Vara looks at the statistics compiled by Three Percent, a database at the University of Rochester that tracks publications of translated works in the country. Related: Oliver Farry’s interview with the Portuguese writer António Lobo Antunes.
Interview interviews, Vacationers vacation, etc., etc.
Interview, well, interviews Emma Straub on beach reads, vacation, and The Vacationers. Bonus: Elizabeth von Arnim‘s The Enchanted April is mentioned, and if you haven’t already read the book or seen the movie, please do so immediately.
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The Story Writer and His Writer Friend
Beautiful Ruins author (and Year in Reading favorite) Jess Walter describes “the genesis of a story.”
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