From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
"For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization...I was going to be an essayist, and it was going to be awesome." At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.
Is hardcover the new vinyl? Over at The Literary Hub, Yahdon Israel argues for the irreplaceable magic of tactility and print books: "There’s something gratifying about being able to underline a sentence or write a response in the margin of a book, knowing with certainty that it will be there later. I can’t get that guarantee from a phone. My data could be hacked, a new upgrade could wipe its memory, my battery could die mid-sentence and cause me to lose everything I’ve typed. They say that what goes up into the Cloud must come down, but 'they' can’t always be trusted—least of all with the things I value most, my books."
Out this week: Death of the Black-Haired Girl by Robert Stone; Hild by Nicola Griffith; A Permanent Member of the Family by Russell Banks; The Collected Stories of Stefan Zweig; and A Prayer Journal by Flannery O’Connor. For more on these and other new releases, go read our Great Second-Half 2013 Book Preview.
At Condalmo, Matthew Tiffany's review of David Lipsky's new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: "You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it."