For close to two decades now, the Rona Jaffe Foundation has honored “women writers of exceptional talent in the early stages of their careers” with annual Writers’ Awards worth $30,000 each. This year, the winners are Tiffany Briere (fiction/nonfiction); Ashlee Crews (fiction); Kristen Dombek (nonfiction); Margaree Little (poetry); Kirsten Valdez Quade (fiction); and Jill Sisson Quinn (nonfiction). The winners accepted their awards in a private ceremony on the 19th.
“My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort.” Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.
Some amateur biologists are at work replacing lamps with bio-luminescent trees and flowers, reports Andrew Pollack for The New York Times. Meanwhile South Korean scientists have barking up an entirely different tree for the past two years. (I’m sorry for the pun; here’s an image of a glowing beagle to make amends.)
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.
“Set in the 2020s and 2030s in a collapsing and crashed America, the Parables books have always seemed incredibly and disturbingly prescient—and in the wake of November 8, 2016 they now seem downright spooky, the actual and accurate history of the future.” How Octavia Butler predicted the present. See also: our consideration of Butler’s novel Kindred.