If at some point in your life you lose a beloved pet, and if, while mourning, you decide to write an obituary, know this — whatever you write will not be as good as E.B. White’s tribute to his dog. (You can read more pieces like it in the perfectly-titled E.B. White on Dogs.)
Jonathan Safran Foer has recruited Jonathan Franzen to write one of Chipotle’s illustrated essays on their paper cups and take-out bags (which we’ve written about before). As Franzen explains it, “Chipotle store credit was a decisive factor. Chipotle is my go-to fast food restaurant. I also admire its wish to be a good corporate citizen.”
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.
Our own Emily St. John Mandel gives a glimpse of her life on the road. “I’d been on tour for so long that I had to take a picture of my hotel room door every time I checked into a new place, because otherwise I’d forget my room number,” she writes. For more of her writing, check out her Millions essay on the place where writers work.
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)