At The Hairpin, Alexa C. Kurzius pays a visit to the Punderdome 3000, a monthly “com-pun-tition” that takes place in (where else?) Brooklyn. Among other highlights, the author constructs an alter ego for herself named Pundercat.
Punderstrike
And the NMA Winners Are…
The good souls at Longform.org have organized all of this year’s National Magazine Award winners.
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In a Fugue State
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
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All In The Family
“It will be as long as a book, about 65,000 words. I’m writing my story, weaving together what life is like for LGBT people in Oklahoma and my story of growing up there as well.” Starting this week, Oral Roberts’ grandson, Randy Roberts Potts, is publishing his memoir on Instagram. The Bible Went Down with Birdie Jean takes the form of 300 individual posts, and tells the story of Potts’ rejection from his family alongside interviews with LGBT students at Oral Roberts University. Earlier this year we also considered what might make the Next Great Gay Novel.
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Back for More
Last week, I mentioned Look Who’s Back by Timur Vermes, which caused a stir in Germany with its tale of a time-hopping Hitler. Now, Daniel Torday reviews the book for the Times, judging it both for its historical research and its merits as a work of fiction. Sample quote: “The German public’s acceptance of the artist they think they’re watching provides a critique of pop culture. But it feels like bringing the Luftwaffe to a knife fight.”
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Bad from Good
Sometimes good writers write very badly. As evidence, Literary Hub has collected samples of bad writing from the likes of Year in Reading alum Isaac Fitzgerald and Daniel Clowes, who we interviewed here.
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