If you enjoyed last week’s sneak peek at Elisa Gabbert’s forthcoming poetry collection, you’ll want to check out her collaboration with Kathleen Rooney at Nailed Magazine.
“Polyamory is the ambitious but campy attempt to love without loss”
Literary Generators
Good: The William Shakespeare Insult Generator. Better: The Martin Luther Insult Generator. Best: The P.G. Wodehouse Quote Generator.
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Some People Are Noble
"The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day." James Baldwin on the artist's struggle for "integrity." Here's a bonus piece from The Millions on Baldwin, race, and fatherhood.
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Much Ado about Journalism and Fact-Checking
Chris Rose laments the erosion of his former employer, New Orleans’s Times-Picayune, in the pages of Oxford American’s New South Journalism issue. Meanwhile, James Pogue discusses the art of fact-checking, which he says “has recently become a voguish topic among the New Yorker-reading and NPR-listening set.” This is of course to say nothing of the London Review of Books-reading set across the pond as well, much less the Onion-reading set located far and wide.
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Words on the street.
Ian Crouch on the place of real estate in the novel, and its tenedency to "reinforce our modern sense that the appearance of our houses, and the taste and class that they represent, are among the defining elements of modern selfhood."
Where Has the Venom Gone? Pls RT.
Jacob Silverman tackles the niceness epidemic besieging literary criticism at the moment. Where have the hatchet jobs gone? Is social media’s “communalism” robbing critics of their fangs? Each time a publication refuses to print a negative review, the act amounts to “a victory for a publicist, but not for readers,” he writes. (Just a few notes: Silverman's piece is based on a blog post he wrote recently; Emma Straub has responded on her own blog; and, for what it's worth, our own Michael Bourne’s recent review of Richard Ford’s Canada was pretty toothy.)
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Unheralded Greats
Taylor Antrim takes a page out of Roxane Gay's book and "goes in search of great 2011 fiction unjustly ignored by The New York Times."
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