Paris Review co-founder Peter Matthiessen will publish a new novel in the spring of next year. Matthiessen, who won the National Book Award in 2008 for his last novel, Shadow Country, said the new novel centers on “a weeklong meditation retreat at the site of a World War II concentration camp.”
The Atlantic interviews Erin Gruwell, a teacher whose methods for teaching her students about prejudice became the basis of a book (and subsequent movie) called The Freedom Writers. Named after a group of bus-riding civil rights activists, the students in her classes wrote lengthy journal entries — many of them relating to their own personal traumas — in order to compare them with diaries by historical figures. Writing journals, Gruwell says, helped her students learn to like schoolwork.
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.