F. Scott Fitzgerald called himself "a moralist at heart," which might be why Kathryn Schulz finds The Great Gatsby to be "aesthetically overrated, psychologically vacant, and morally complacent."
Chris Adrian's The New World, a digital-platform book we wrote about before, is now on shelves. I mean that idiomatically and not literally -- as none of the editions favored by The Atavist's young publishing arm for this lyrical love story of life after death (interactive ebook app, text-only Kindle/iBook/Google) involve paper.
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."
Jonathan Evison talks with independent publicist Lauren Cerand about promoting books.Kindle shenanigans: "This morning, hundreds of Amazon Kindle owners awoke to discover that books by a certain famous author had mysteriously disappeared from their e-book readers."Marking the 40th anniversary of the Moon landing, Kottke puts together a huge post of photos, videos, and links in commemoration.Our recent item rounded up all the "big" books coming out in the latter half of the year. PW alerts readers to "10 promising fiction debuts" coming this fall.Jacket Copy concludes its Pomo Month with an annotated list of "61 essential postmodern reads."New uses for card catalogs. (via)The second issue of online literary journal The Critical Flame has arrived.Mark Sarvas offers a four-part interview with Joseph O'Neill. "I think I start with one idea. In Netherland, it was cricket in New York. Then there is an accumulation of sentences, and often just single words. Words that interest me. And I sort of build it up like a poem."Amazon names the "Best Books of the Year... So Far."
The Guardian interviews Year in Reading alumna Ottessa Moshfegh about her writing life, noir fiction, and her novel Eileen. As she puts it, “I’m interested in taking establishment genre and turning it on its head. I didn’t really set out to write a noir novel and I don’t know if I exactly have.”