In August of 1911, Franz Kafka and his future literary executor Max Brod paid a visit to the Louvre to see the Mona Lisa. It was, all told, a weird time to make such a trip, because a week before the two arrived in Paris, crafty thieves abducted the famous painting. So why did they go if there wasn’t a painting to see? To look at the absence, of course. (h/t Arts and Letters Daily)
Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.
Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé’s latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. “It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender,” she said. For more Adichie, read her 2013 Year in Reading post.
As an Editor-at-Large at Interview Magazine, Christopher Bollen has talked with everyone from Joan Didion to Renata Adler to Michael Stipe. Last Friday, he became an interview subject himself, sitting down with Tom Barbash at Salon to talk about his new novel, Orient. Sample quote: “I know I’m supposed to have the young characters constantly on Snapchat and Instagram and every adult is falling asleep at night to a Netflix marathon.”
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.