WGN America has ordered a 13-episode drama about the Manhattan Project. The series, which is set for a summer 2014 premiere, will be written by Sam Shaw and directed by Thomas Schlamme. This marks the second series ordered by WGN America this year. The first one, Salem, will focus on the Massachusetts town’s infamous 17th century witch trials.
“Millennials are so frequently hyped as the first digital generation that people tend to forget that we were raised first and foremost with books. TV and the Internet may have shaped our identities, but so did old-fashioned, printed stories.” Everybody is tired of the word “millennial,” but this piece makes some great points about Arnold Lobel’s Frog and Toad series and how it taught children to understand and appreciate their individuality.
We cover a decent number of literary awards here at The Millions, but we, like most magazines, have a tendency to focus on the present. At the LARB, Andrew Nicholls makes up for this by recounting the very first book awards, in which Mooluu’s “The Beast Attacked” goes head-to-head with Kurtan the Elder’s “Why Half My Face is Missing.” You could also read our own Mark O’Connell on why we care about literary prizes to begin with.
“Imagine a society in which money has been banished. A society in which you would be arrested if you wear eyeglasses, if you wear ties, or if you speak a foreign language.” The Coffin Factory‘s Randy Rosenthal takes a look at Rithy Panh’s The Elimination, an autobiography focused on his adolescence during the reign of Cambodia’s Khmer Rouge.
Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.