Recommended Reading: Rafe Posey’s Rumpus essay, “Coming Out, Again and Again, in 27 Easy Steps.”
“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.
This year, the good folks at Slate and the Whiting Foundation kicked off a new literary prize, intended to reward authors for great second novels. To wrap up the year, they’ve asked several winners of the prize, including Akhil Sharma, Helen DeWitt and Daniel Alarcon, to write short pieces about objects that symbolize the writing process for their books. (Akhil Sharma chooses a stopwatch, while Eileen Myles chooses a can of Cafe Bustelo.)