“Recently, a friend told me she didn’t like pictures of herself because she never looked the way she thought she did in her head. I think this pretty much describes the universal horror that is looking at your own photos, and that’s why I love the selfie so much. It gives you all the controls to the story you are telling.” In defense of the selfie.
Masha Gessen (who recently agreed to write a book on the Boston bombers) told a journalist in New Zealand she’s “probably” moving out of Russia. Why? “It’s one thing to bring up your kids in a place that’s risky and difficult; I think in many ways it’s enriching them, and I’m glad my kids have that experience,” she said. “It’s another thing to bring up your kids in a place that’s hopeless. “
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.