To celebrate the beginning of football season, read about how Jack Kerouac’s years of high school football might have led to his alcoholism and depression.
Literary Interference
May: The Tastiest and Most Literary Month of All
May is National Short Story Month (and also National Barbecue Month) and to celebrate, Graywolf Press is selling all of their short story collections for 20% off.
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Digital Collections
The New York Public Library released more than 180,000 of its public-domain items, ranging from maps and manuscripts to ancient texts and sheet music. The files can be downloaded on the library’s website, available to the public without restriction.
Tune in next week
Emily Nussbaum on the poetry of cliffhangers, "which makes visible the storyteller’s connection to his audience—like a bridge made out of lightning. Primal and unashamedly manipulative, cliffhangers are the signature gambit of serial storytelling."
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Grief Is The Thing
In his 2015 Year in Reading, Garth Risk Hallberg told us about Max Porter's Grief Is The Thing With Feathers, a quasi-poem/novel/memoir which "you will quickly forget is weird as hell, because it is also beautiful as hell, moving as hell, and funny as hell." Though the book isn't slated for stateside release for another few months, there is a fantastic review over at the London Review of Books that's well worth the read.
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Trailers! Get Ya Trailers Here!
The trailer for Ang Lee's adaptation of Yann Martel’s Life of Pi is out, and it's b-e-a-utiful.
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Bernhard and Olive Garden
"You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people." In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone's look at, well, the conversations of BOMB interviews.
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