Recommended Reading: Kate Manning on the “slumgullions” of English.
“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
New this week: The Miniaturist by Jessie Burton; The Story of Land and Sea by Katy Simpson Smith; Lisette’s List by Susan Vreeland; Fives and Twenty Fives by Michael Pitre; Mr. Tall by Tony Earley; and Love, of a Kind by Felix Dennis. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
“History is littered with poets… who set up their own presses to publish their work, because it was so different from the normal forms of the time. Virginia Woolf and her husband Leonard are one example- they started their own press called the Hogarth Press (it is still going today) to publish collections of their work.” Self-publishing is something we’ve written about many times before, but Sarah Gonnet raises a good point – self-publishing isn’t truly a new phenomenon, and it does allow for a great deal of creative freedom.
YiR alum Roxane Gay and Medium have collaborated on a magazine that will feature pieces throughout the month from 24 different writers. The writers all address the question “what does it mean to live in an unruly body?” and they range from Kiese Laymon to Keah Brown to Randa Jarrar.
Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”